Works for theatre and shows
Festa per il varo del Conte di Savoia, Circolo Artistico, Trieste, 28 October 1931 (stage setting)
Festa di Carnevale, Circolo Artistico, Trieste, 13 February 1934 (stage setting)
Ballo di Carnevale, Albergo Savoia, Trieste, 22 February 1936 (stage setting)
Carnival party, Teatro “Giuseppe Verdi”, Trieste, 9 February 1948 (choreography)
Cartoni animati, ballet by Mario Bugamelli, Teatro “Giuseppe Verdi”, Trieste, 29 December 1948 (stage setting and costumes by Marcello Mascherini)
Carnival party, Teatro “Giuseppe Verdi”, Trieste, 20 February 1950 (choreography)
Sogno di Carnevale, Carnival party at Teatro “Giuseppe Verdi”, Trieste, 5 February 1951 (direction and stage setting)
La Corrida, Carnival party, Circolo della Cultura e delle Arti, Trieste, 17 February 1952 (costumes and stage setting)
Il Circo, ballet by Mario Bugamelli, Carnival party at Teatro “Giuseppe Verdi”, Trieste, 25 February 1952 (direction and stage setting)
Gran ballo dell’arte, Ridotto del Teatro Giuseppe Verdi, Circolo della Cultura e delle Arti, Trieste, 7 February 1953 (stage setting and direction)
Paese delle meraviglie, Carnival party at Teatro “Giuseppe Verdi”, Trieste, 16 February 1953 (stage setting and direction)
Moulin Rouge, Carnival party at Teatro “Giuseppe Verdi”, Trieste, 1 March 1954 (choreography)
Fiesta, Summer party at Piccolo Mondo hotel restaurant, Trieste, 23 July 1954 (choreography)
Rapsodia in blu, Carnival party at Teatro “Giuseppe Verdi”, Trieste, 21 February 1955 (stage setting)
Notte incantata, charity party at Castello di Miramare, Trieste, 30 July 1955 (direction and coreography)
Si gira a Cinecittà, Carnival party at Teatro “Giuseppe Verdi”, Trieste, 13 February 1956 (direction and stage setting)
Incanto di una notte, Summer party at Castello di Miramare, Trieste, 27 July 1956 (direction)
Assassinio nella cattedrale, by Thomas Stearens Eliot, Teatro Nuovo, Trieste, 17 January 1957 (stage setting)
Bal de la Galette, Carnival party at Circolo della Cultura e delle Arti, Trieste, 28 February 1957 (stage setting)
Valzer o Rock and Roll, Carnival party at Teatro “Giuseppe Verdi”, Trieste, 4 March 1957 (direction)
I giorni della vita, by William Saroyan, direction by Franco Enriquez, Teatro Nuovo, Trieste, 27 March 1957 (stage setting)
Inquisizione, by Diego Fabbri, Teatro Nuovo, Trieste, 18 January 1958 (stage setting and costumes)
Notte dell’Inferno, Club “La Cantina”, Trieste, 22 March 1958 (stage setting)
La leggenda di Ognuno, by Hugo von Hoffmannsthal, direction by Franco Enriquez, Teatro Nuovo, Trieste, 3 April 1958 (stage setting and light effects)
Fin de partie, by Samuel Beckett, Club “La Cantina”, Trieste, 7 June 1958 (stage setting and costumes)
L’ultimo nastro di Krapp, by Samuel Beckett, Gian Maria Volontè as director and leading actor, Club “La Cantina”, Trieste, 19 March 1959 (stage setting)
La giostra, by Massimo Dursi (author and director), Teatro Nuovo, Trieste, 31 March 1959 (stage setting)
La lezione, by Eugene Ionesco, Club “La Cantina”, Trieste, 4 May 1959 (direction and stage setting)
Il passaggio dell’equatore, Carnival party at Stazione marittima, Trieste, 25 February 1960 (stage setting)
Le bonnes, by Jean Genet, Club “La Cantina”, Trieste, 27 March 1960
(stage setting)
La dodicesima notte, by William Shakespeare, direction by Giovanni Poli, Teatro Nuovo, Trieste, 14 January 1961 (stage setting)
Caino al circo, by Marino Lapenna, Club “La Cantina”, Trieste, 15 May 1961 (direction and stage setting)
Il costruttore di imperi, by Boris Vian, Club “La Cantina”, Trieste, 29 January 1962 (direction and stage setting)
La storia di Vasco, by Georges Schéhadé, direction by Aldo Trionfo, Teatro Stabile, Trieste, 14 May 1963 (stage setting and costumes)
Le donne a parlamento, by Aristofane, direction by Fulvio Tolusso, Teatro Auditorium, Trieste, 20 January 1964 (stage setting)
Antigone, by Bertold Brecht, direction by Fulvio Tolusso, Teatro Stabile, Trieste, 22 February 1964 (stage setting)
Elettra, by Sofocle, direction by Fulvio Tolusso, Teatro Romano, Trieste, 18 August 1964 (stage setting)
Antigone, by Bertold Brecht, direction by Fulvio Tolusso, Teatro Gobetti, Torino, 24 November 1964 (stage setting)
La speranza è viva, by Marisa Fabbri, Teatro Auditorium, Trieste, 10 February 1965 (stage setting)
Grande invettiva davanti alle mura della città, by Tankred Dorst, Club “La Cantina”, Trieste, 4 June 1966 (direction and stage setting)
Napoleone a New Orleans, by Georg Kaiser, palazzo Vivante, Trieste, 28 November 1966 (direction and stage setting)
Lo schiavo, by Amiri Baraka (Le Roy Jones), Club “La Cantina”, Trieste, 2 October 1967 (direction and stage setting)
Poetica Bengali, recital of Bengali poems and music at club ”La Cantina”, 3 May 1968 (light effects)
Trieste, con tanto amore, nella voce dei suoi poeti: Giulio Camber, Barni, Virgilio Giotti, Umberto Saba, Scipio Slataper, Carlo e Giani Stuparich, Italo Svevo, presentation by Libero Mazzi, Auditorium, Trieste, 1 October 1968 (stage setting)
Tautologos, ballet with coreography by Aurel M. Milloss and music by Luc Ferrari, Teatro dell’Opera, Rome, 9 June 1969 (stage setting and costumes)
Don Giovanni, by Wolfgang Amadeus Mozart, direction by Carlo Piccinato, Teatro dell’Opera, Rome, 7 January 1970 (stage setting and costumes)
Non io, by Samuel Beckett, Club “La Cantina”, Trieste, 14 November 1974 (stage setting and direction)
